| Solo Exhibitions |
| 2018 | Baltimore Museum of Art (April 2018) |
| 2017 | Tate Liverpool (November 2017) |
| | MUDAM, Luxembourg (June 2017) |
| 2016 | This Is Offal, Live Performance, Playground Performance Festival, STUK, Leuven |
| | We’re Wallowing Here In Your Disco Tent, High Line Channel 14, New York |
| | Mary Reid Kelley. Museum M, Leuven, Belgium |
| | A Marquee Piece of Sod: The WW1 Films of Mary Reid Kelley, Kunsthalle Bremen |
| | This Is Offal, Live Performance, Foreign Affairs Festival, Berliner Festspiele |
| | Screen Space: Mary Reid Kelley. Art Gallery Of Western Australia, Perth |
| | The Minotaur Trilogy, Arratia Beer Gallery, Berlin |
| 2015 | This Is Offal, Live Performance. BMW Live Performance Room Commission, Tate Modern, London |
| | The Thong of Dionysus, Fredericks & Freiser Gallery, New York |
| | Hammer Projects: Mary Reid Kelley, Hammer Museum, Los Angeles (May) |
| | Mary Reid Kelley, Site Santa Fe (February-March) |
| 2014 | The Syphilis of Sisyphus, Frances Lehman Loeb Art Center, Vassar College |
| | Mary Reid Kelley, Neuer Kunstverein Wien, Vienna, Austria |
| | Swinburne's Pasiphae, Pilar Corrias Gallery, London |
| | Mary Reid Kelley: Working Objects and Videos, University Art Museum, SUNY Albany (catalogue) |
| | Mary Reid Kelley: Working Objects and Videos, Samuel Dorsky Museum of Art, SUNY New Paltz (catalogue) |
| 2013 | Mary Reid Kelley, Boston Institute for Contemporary Art (catalogue) |
| | Sadie, The Saddest Sadist and Priapus Agonistes, Yale University Art Gallery |
| | The Syphilis of Sisyphus, The Contemporary Austin, Texas |
| | Priapus Agonistes, Susanne Vielmetter Projects, Los Angeles |
| 2012 | The Syphilis of Sisyphus, The Box at Wexner Center for the Arts, Columbus, Ohio |
| | H/Qu: Mary Reid Kelley with Patrick Kelley, Bard Center for Curatorial Studies |
| | Performing Histories: Mary Reid Kelley, Salina Art Center, KS |
| 2011 | The Syphilis of Sisyphus, Fredericks & Freiser, New York |
| 2010 | You Make Me Iliad, Pilar Corrias Gallery, London |
| | Sadie, The Saddest Sadist, Susanne Vielmetter Projects, Los Angeles |
| 2009 | Sadie, The Saddest Sadist, Fredericks & Freiser, New York |
| 2007 | Bring Superior Forces to Bear, Rochester Art Center |
| 2006 | Paper Union, Augsburg College Christensen Gallery |
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| | Group Exhibitions |
| 2017 | Artists’ Film International. This Is Offal, sponsored by Hammer Museum, LA. Multiple international locations throughout 2017. |
| | Gray Matters, Wexner Center for the Arts, Columbus, Ohio |
| | Commercial Break, Public Art Fund, New York |
| | The Arcades: Contemporary Art and Walter Benjamin, The Jewish Museum |
| | Invitational Exhibition of Visual Arts, American Academy of Arts & Letters |
| 2016 | About Face, University of Arkansas Fine Art Gallery |
| | World War 1 And American Art, Pennsylvania Academy of the Fine Arts, Philadelphia |
| | Sexting, Kate Werble Gallery, New York |
| | Inaugural Exhibition, Romeo Gallery, New York |
| | Hey You! Who Me?, Edgewood Gallery, Yale University. Robert Storr, curator. |
| | Mixtape 2016, Pilar Corrias Gallery, London |
| | Objects Do Things, CCA Warsaw |
| 2015 | By the Book, Sean Kelly Gallery, New York |
| | The Beast and the Sovereign, MACBA Barcelona and WKV Stuttgart |
| | Classicicity, Breese Little, London |
| | Making Histories, H&R Block Artspace, Kansas City Art Institute, curated by Raechell Smith and David Cateforis |
| | Not Really, Castle Gallery, College of New Rochelle, CT, curated by Sue Canning |
| | Pratfall Tramps, Atlanta Contemporary Art Center, curated by Rachel Reese |
| | Who’s Speaking? Klemms Gallery, Berlin |
| | Tightened As If By Pliers, curated by Joshua Bienko and Leeza Meksin for Ortega y Gasset Projects at Knockdown Center, Queens, NY |
| 2014 | Chapeau! Time Art Gallery Greubel Forsey, Paris, curated by Raphael Cuir |
| | Code Act, Coreana Museum of Art, Seoul, Korea |
| | Maria Lassnig and Mary Reid Kelley, Rose Video 03,Rose Art Museum, Brandeis University, Boston |
| | Skit, curated by Tisch Abelow, The Hole Gallery, NYC |
| | Pale Fire, Columbia University LeRoy Neiman Gallery, New York (Jan) |
| 2013 | Through The Eyes of Texas, Blanton Art Museum, University of Texas |
| | Pencil Pushed, Ewing Gallery, University of Tennessee (catalog) |
| | Mykonos Bienniale, Mykonos, Greece |
| 2012 | Buy My Bananas Kate Werble Gallery, New York |
| | Re-Generation, MACRO Testaccio, Rome |
| | Weighted Words, Zabludowiz Collection, London |
| | Rear View Mirror, Space B, New York |
| 2011 | Doublespeak, Utah Museum of Contemporary Art |
| | Words, Brand 10 Art Space, Fort Worth, Texas |
| | Stagecraft: Brian Bress, Deville Cohen, Kate Gilmore, Mary Reid Kelley, University of South Florida Contemporary Art |
| | Images From a Floating World, Fredericks and Freiser, New York |
| | Texture.txt, Regina Rex, Brooklyn |
| 2010 | The Dissolve, Site Santa Fe Biennial (June 2010) |
| | Mash-up: Splicing Life, UConn Contemporary Arts Galleries |
| | Fast Forward 2: The Power of Motion, Center for Art and Media, Karlsruhe, Germany |
| | Ludicrous!. Institute of Contemporary Art, Philadelphia |
| 2008 | Will Happiness Find Me?, Marvelli Gallery |
| 2006 | Uncle Tom to Peeping Tom, Wisconsin African American Women's Center |
| 2005 | Pinko Commies, Altered Esthetics Gallery |
| 2004 | Draw, SooVisual Arts Center |
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| | Screenings and Activities |
| 2017 | Schwartzwaldallee, Basel. Group Screening: “Warm lights travel on my ghostly hands”, curated by Karim Crippa |
| | Vdrome.org, This Is Offal, screening January 21 - February 3. |
| | Jewish Museum, Artist Focus: Mary Reid Kelley, screening and talk with Jens Hoffmann |
| 2016 | Fireflies in the Night, Intrnational Video Art Survey at Stavros Nicharos Foundation, Artistic Director Robert Storr, curated by Barbara London, Kalliopi Minioudaki, Francesca Pietropaolo |
| | Witte de With, You’ve Got to Give Some Muffin for this Space (Film Screening) curated by Michael Portnoy |
| 2015 | Krakow Cricoteka: Nothing Twice |
| 2014 | CCA Glasgow: Animation in Context |
| 2013 | Tate Modern, Ericka Beckman: Image Games. Sept 29, 2013. |
| | Mykonos Bienniale, Mykonos, Greece. |
| | Collar City Film Festival, Troy, NY |
| | Visiting Faculty, Yale Summer School of Art, Norfolk, Connecticut |
| | Screening, Collar City Film Festival, Troy, New York |
| | Séances, conceived by Paul Chan and curated by Eric de Bruyn and Sven Lütticken at Columbia University |
| 2012 | Séances, conceived by Paul Chan and curated by Eric de Bruyn and Sven Lütticken at The Museum of Modern Art in Vienna |
| | Melbourne Underground Film Festival, Australia |
| 2011 | Idiot Wind, e-flux Journal Issue 22, contributing artist |
| | Screening and Lecture, Salina Art Center, Salina, Kansas |
| | Screening and Lecture, St. Lawrence University, Canton, New York |
| 2010 | Signal & Noise Media Arts Festival, VIVO Media Arts Center, Vancouver, CA |
| | Screening, Institute for Contemporary Art at Maine College of Art |
| | Screening, Imagining Equality: Women’s Art and Activism, Loyola Marymount University Bellarmine Forum, Louisiana |
| | Visiting Faculty, Yale Summer School of Art, Norfolk, Connecticut |
| 2008 | Interval(le)s, Journal, Contributing Artist. University of Liege Publications |
| | Guest Lecturer, Women and Art at Yale, Yale University Art Gallery |
