| Solo Exhibitions |
2018 | Baltimore Museum of Art (April 2018) |
2017 | Tate Liverpool (November 2017) |
| MUDAM, Luxembourg (June 2017) |
2016 | This Is Offal, Live Performance, Playground Performance Festival, STUK, Leuven |
| We’re Wallowing Here In Your Disco Tent, High Line Channel 14, New York |
| Mary Reid Kelley. Museum M, Leuven, Belgium |
| A Marquee Piece of Sod: The WW1 Films of Mary Reid Kelley, Kunsthalle Bremen |
| This Is Offal, Live Performance, Foreign Affairs Festival, Berliner Festspiele |
| Screen Space: Mary Reid Kelley. Art Gallery Of Western Australia, Perth |
| The Minotaur Trilogy, Arratia Beer Gallery, Berlin |
2015 | This Is Offal, Live Performance. BMW Live Performance Room Commission, Tate Modern, London |
| The Thong of Dionysus, Fredericks & Freiser Gallery, New York |
| Hammer Projects: Mary Reid Kelley, Hammer Museum, Los Angeles (May) |
| Mary Reid Kelley, Site Santa Fe (February-March) |
2014 | The Syphilis of Sisyphus, Frances Lehman Loeb Art Center, Vassar College |
| Mary Reid Kelley, Neuer Kunstverein Wien, Vienna, Austria |
| Swinburne's Pasiphae, Pilar Corrias Gallery, London |
| Mary Reid Kelley: Working Objects and Videos, University Art Museum, SUNY Albany (catalogue) |
| Mary Reid Kelley: Working Objects and Videos, Samuel Dorsky Museum of Art, SUNY New Paltz (catalogue) |
2013 | Mary Reid Kelley, Boston Institute for Contemporary Art (catalogue) |
| Sadie, The Saddest Sadist and Priapus Agonistes, Yale University Art Gallery |
| The Syphilis of Sisyphus, The Contemporary Austin, Texas |
| Priapus Agonistes, Susanne Vielmetter Projects, Los Angeles |
2012 | The Syphilis of Sisyphus, The Box at Wexner Center for the Arts, Columbus, Ohio |
| H/Qu: Mary Reid Kelley with Patrick Kelley, Bard Center for Curatorial Studies |
| Performing Histories: Mary Reid Kelley, Salina Art Center, KS |
2011 | The Syphilis of Sisyphus, Fredericks & Freiser, New York |
2010 | You Make Me Iliad, Pilar Corrias Gallery, London |
| Sadie, The Saddest Sadist, Susanne Vielmetter Projects, Los Angeles |
2009 | Sadie, The Saddest Sadist, Fredericks & Freiser, New York |
2007 | Bring Superior Forces to Bear, Rochester Art Center |
2006 | Paper Union, Augsburg College Christensen Gallery |
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| Group Exhibitions |
2017 | Artists’ Film International. This Is Offal, sponsored by Hammer Museum, LA. Multiple international locations throughout 2017. |
| Gray Matters, Wexner Center for the Arts, Columbus, Ohio |
| Commercial Break, Public Art Fund, New York |
| The Arcades: Contemporary Art and Walter Benjamin, The Jewish Museum |
| Invitational Exhibition of Visual Arts, American Academy of Arts & Letters |
2016 | About Face, University of Arkansas Fine Art Gallery |
| World War 1 And American Art, Pennsylvania Academy of the Fine Arts, Philadelphia |
| Sexting, Kate Werble Gallery, New York |
| Inaugural Exhibition, Romeo Gallery, New York |
| Hey You! Who Me?, Edgewood Gallery, Yale University. Robert Storr, curator. |
| Mixtape 2016, Pilar Corrias Gallery, London |
| Objects Do Things, CCA Warsaw |
2015 | By the Book, Sean Kelly Gallery, New York |
| The Beast and the Sovereign, MACBA Barcelona and WKV Stuttgart |
| Classicicity, Breese Little, London |
| Making Histories, H&R Block Artspace, Kansas City Art Institute, curated by Raechell Smith and David Cateforis |
| Not Really, Castle Gallery, College of New Rochelle, CT, curated by Sue Canning |
| Pratfall Tramps, Atlanta Contemporary Art Center, curated by Rachel Reese |
| Who’s Speaking? Klemms Gallery, Berlin |
| Tightened As If By Pliers, curated by Joshua Bienko and Leeza Meksin for Ortega y Gasset Projects at Knockdown Center, Queens, NY |
2014 | Chapeau! Time Art Gallery Greubel Forsey, Paris, curated by Raphael Cuir |
| Code Act, Coreana Museum of Art, Seoul, Korea |
| Maria Lassnig and Mary Reid Kelley, Rose Video 03,Rose Art Museum, Brandeis University, Boston |
| Skit, curated by Tisch Abelow, The Hole Gallery, NYC |
| Pale Fire, Columbia University LeRoy Neiman Gallery, New York (Jan) |
2013 | Through The Eyes of Texas, Blanton Art Museum, University of Texas |
| Pencil Pushed, Ewing Gallery, University of Tennessee (catalog) |
| Mykonos Bienniale, Mykonos, Greece |
2012 | Buy My Bananas Kate Werble Gallery, New York |
| Re-Generation, MACRO Testaccio, Rome |
| Weighted Words, Zabludowiz Collection, London |
| Rear View Mirror, Space B, New York |
2011 | Doublespeak, Utah Museum of Contemporary Art |
| Words, Brand 10 Art Space, Fort Worth, Texas |
| Stagecraft: Brian Bress, Deville Cohen, Kate Gilmore, Mary Reid Kelley, University of South Florida Contemporary Art |
| Images From a Floating World, Fredericks and Freiser, New York |
| Texture.txt, Regina Rex, Brooklyn |
2010 | The Dissolve, Site Santa Fe Biennial (June 2010) |
| Mash-up: Splicing Life, UConn Contemporary Arts Galleries |
| Fast Forward 2: The Power of Motion, Center for Art and Media, Karlsruhe, Germany |
| Ludicrous!. Institute of Contemporary Art, Philadelphia |
2008 | Will Happiness Find Me?, Marvelli Gallery |
2006 | Uncle Tom to Peeping Tom, Wisconsin African American Women's Center |
2005 | Pinko Commies, Altered Esthetics Gallery |
2004 | Draw, SooVisual Arts Center |
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| Screenings and Activities |
2017 | Schwartzwaldallee, Basel. Group Screening: “Warm lights travel on my ghostly hands”, curated by Karim Crippa |
| Vdrome.org, This Is Offal, screening January 21 - February 3. |
| Jewish Museum, Artist Focus: Mary Reid Kelley, screening and talk with Jens Hoffmann |
2016 | Fireflies in the Night, Intrnational Video Art Survey at Stavros Nicharos Foundation, Artistic Director Robert Storr, curated by Barbara London, Kalliopi Minioudaki, Francesca Pietropaolo |
| Witte de With, You’ve Got to Give Some Muffin for this Space (Film Screening) curated by Michael Portnoy |
2015 | Krakow Cricoteka: Nothing Twice |
2014 | CCA Glasgow: Animation in Context |
2013 | Tate Modern, Ericka Beckman: Image Games. Sept 29, 2013. |
| Mykonos Bienniale, Mykonos, Greece. |
| Collar City Film Festival, Troy, NY |
| Visiting Faculty, Yale Summer School of Art, Norfolk, Connecticut |
| Screening, Collar City Film Festival, Troy, New York |
| Séances, conceived by Paul Chan and curated by Eric de Bruyn and Sven Lütticken at Columbia University |
2012 | Séances, conceived by Paul Chan and curated by Eric de Bruyn and Sven Lütticken at The Museum of Modern Art in Vienna |
| Melbourne Underground Film Festival, Australia |
2011 | Idiot Wind, e-flux Journal Issue 22, contributing artist |
| Screening and Lecture, Salina Art Center, Salina, Kansas |
| Screening and Lecture, St. Lawrence University, Canton, New York |
2010 | Signal & Noise Media Arts Festival, VIVO Media Arts Center, Vancouver, CA |
| Screening, Institute for Contemporary Art at Maine College of Art |
| Screening, Imagining Equality: Women’s Art and Activism, Loyola Marymount University Bellarmine Forum, Louisiana |
| Visiting Faculty, Yale Summer School of Art, Norfolk, Connecticut |
2008 | Interval(le)s, Journal, Contributing Artist. University of Liege Publications |
| Guest Lecturer, Women and Art at Yale, Yale University Art Gallery |